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25 Feb – 21 Mar 2026

A bold and bloody re-telling of Macbeth marks the start of the Royal New Zealand Ballet’s 2026 season, bringing this most visceral of tragedies to the stage in an explosion of high-octane contemporary ballet.

Choreographer Alice Topp (Aurum, Logos, High Tide) brings naked ambition, political power and transgression to the fore in this new, original staging, propelling Shakespeare’s iconic characters into a shadowy world of manipulation by media, boardroom intrigue and sudden violence. As the Macbeths emerge as a dazzling new power couple, triumphantly atop a glamorous social set, the view from the top is dizzying – and the fall vertiginous.

The seduction of success and adulation give way to doubt, paranoia and madness, with Alice Topp’s mesmerising movement and Christopher Gordon’s pounding new music, layering a full orchestral and heavy metal score with live string octet, inexorably driving Macbeth and his Lady to a conclusion that is as inevitable as it is devastating.

Macbeth has been created with significant support from the Haythorne Circle. Presented in association with Aotearoa New Zealand Festival of the Arts and Te Ahurei Toi o Tāmaki Auckland Arts Festival, Macbeth is a co-production with West Australian Ballet.

‘Stars, hide your fires. Let not light see my black and deep desires.’ – Macbeth, Act I Scene IV

Book Macbeth as part of a ticket package with The Sleeping Beauty or Winter Season and save 20%.

Recommended for audiences aged 14 and over; parental discretion is advised.

This performance is approximately 2 hours in length, including a 20-minute interval.

Pre-Performance Talk

Q&A Session

Warm Up, Curtain Up!

Pre-Performance Talk

Q&A Session

Warm Up, Curtain Up!

Warm Up, Curtain Up!

Pre-Performance Talk

Q&A Session

Warm Up, Curtain Up!

Behind the scenes

Plot Synopsis

 

Act I

Macbeth is a rising star in the cut and thrust world of politics, destined for high office. His ambitions are supercharged by a demonic trio of Influencers, who convince him he’ll one day achieve absolute power, while his close ally Banquo’s descendants will rule after him.

Basking in the glory of winning party leadership, Macbeth is shocked when Duncan, the president, chooses his own son Malcolm to succeed him. But Lady Macbeth, steely in her hunger for power, convinces her husband that by killing Duncan and blaming Malcolm for the murder, he can snatch the ultimate prize.

The couple host Duncan and his children at a dinner celebration, and together they administer poison to the president. Duncan’s violent death and Lady Macbeth’s false accusation prompt Malcolm and his sibling Donalbain to flee for their lives, while Duncan’s close ally Macduff, suspecting the couple of foul play, escapes to seek support elsewhere.

Macbeth and Lady Macbeth try to wash away the bloody signs of their crime, before Macbeth assumes total power over the nation.

 

Act II

Macbeth is installed as president, but his fear that Banquo’s descendants will oust him spurs the decision to have Banquo murdered, along with Banquo’s son, Fleance. Macbeth hires assassins, who kill Banquo in a pool-room brawl, but Fleance escapes.

Macbeth and Lady Macbeth host an extravagant banquet in their own honour, but the bloodied ghost of Banquo suddenly appears and confronts a horrified Macbeth. Lady Macbeth struggles to restore him to sanity, but finally in despair drives the bewildered guests away. Alone together, Macbeth and Lady Macbeth confront the wreckage of their dreams.

Appalled by the lawlessness and violence of Macbeth’s regime, his former allies turn on him. Determined to know more about his destiny, Macbeth returns to the Influencers, who reassure him he cannot be defeated by any but Macduff. Reckless and paranoid, Macbeth orders the death of Macduff’s family as a warning to the rebel, and in so doing creates his nemesis in the grieving Macduff.

Tormented by guilt, Lady Macbeth takes her own life. Malcolm’s supporters gather as Macbeth prepares to confront his enemies. Believing himself indestructible, he is stunned to meet Macduff who will, he knows, fulfil the final prophecy. Macbeth rises to face his foe and bring to an end his own suffering, along with his brutal regime, leaving the innocent child, Fleance, with the final word.

"An epic story fuelled by political ambition, passion, desire for power and the burden of guilt, Macbeth’s themes are potent and enduring."

Alice Topp
Credits

Choreographer

Alice Topp

Music

Christopher Gordon

Dramaturgy

Ruth Little

Costume Design

Aleisa Jelbart

Set & Lighting Design

Jon Buswell

Conductor

Hamish McKeich

String Ensemble

Musicians of the New Zealand Symphony Orchestra

A Co-Production With

West Australian Ballet

Principal Cast

Kiri Te Kanawa Theatre, Aotea Centre

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